DOI:
https://doi.org/10.14483/25009311.22711Published:
2024-12-16Issue:
Vol. 11 No. 18 (2025): Enero-junio 2025Section:
Sección CentralSome considerations on Interactive Art
Algunas consideraciones del arte interactivo
Algumas considerações sobre arte interativa
Keywords:
Arte, estética, arte interactivo, interactividad, tecnología, ciencia (es).Keywords:
Art, aesthetic, interactive art, interactivity, technology, science (en).Keywords:
Arte, estética, arte interativa, interatividade, Tecnologia, ciência (pt).Downloads
Abstract (en)
This article explores practices within the field of Art and Technology that focus on interactivity, in particular, interactive art. We examine key concepts relevant to interactive art, such as the role of the interactor, interactive aesthetics, playfulness, and relational architecture, among other elements. In doing so, we consider the interactive works of artists such as Maurice Benayoun, Studio Azzurro, Marcel·lí Antunez Roca, and Rafael Lozano-Hemmer. Additionally, we question the definition of “interactive art” in light of contemporary computational technologies, particularly those involving artificial intelligence. We seek to to contribute to current debate by prompting reflection on the concept of interactivity and its evolving role in response to current technological advancements that encompass a range of systems designed to mimic human cognitive functions. Ultimately, we offer insights on interactive art, aiming to contribute to a broader understanding of interactivity in art and technology as a systemic, visual, technological, and aesthetic experience.
Abstract (es)
Este artículo explora prácticas dentro del campo del arte y la tecnología que se centran en la interactividad, en particular,arte interactivo. Examinamos conceptos clave relevantes para el arte interactivo, como el papel del interactor, la estética interactiva, el carácter lúdico y la arquitectura relacional, entre otros elementos. Para ello, consideramos las obras interactivas de artistas como Maurice Benayoun, Studio Azzurro, Marcel·lí Antunez Roca y Rafael Lozano-Hemmer. Además, cuestionamos la definición de “arte interactivo” a la luz de las tecnologías computacionales contemporáneas, en particular las que involucran inteligencia artificial. Buscamos contribuir al debate actual al impulsar la reflexión sobre el concepto de interactividad y su papel cambiante en respuesta a los avances tecnológicos actuales que abarcan una gama de sistemas diseñados para imitar las funciones cognitivas humanas. En última instancia, ofrecemos perspectivas sobre el arte interactivo, con el objetivo de contribuir a una comprensión más amplia de la interactividad en el arte y la tecnología como una experiencia sistémica, visual, tecnológica y estética.
Abstract (pt)
Este artigo explora práticas no campo da arte e da
tecnologia que se concentram na interatividade, em
particular, na arte interativa. Examinamos conceitos-
-chave relevantes para a arte interativa, como o papel
do interagente, a estética interativa, a ludicidade e a
arquitetura relacional, entre outros elementos. Para
isso, consideramos as obras interativas de artistas
como Maurice Benayoun, Studio Azzurro, Marcel·lí
Antunez Roca e Rafael Lozano-Hemmer. Além disso,
questionamos a definição de "arte interativa" à luz
das tecnologias computacionais contemporâneas,
particularmente aquelas que envolvem inteligência artificial. Procuramos contribuir para o debate
atual, impulsionando a reflexão sobre o conceito
de interatividade e seu papel mutável em resposta
aos avanços tecnológicos atuais que abrangem
uma variedade de sistemas projetados para imitar
as funções cognitivas humanas. Em última análise,
oferecemos perspectivas sobre a arte interativa,
com o objetivo de contribuir para uma compreensão
mais ampla da interatividade na arte e na tecnologia
como uma experiência sistêmica, visual, tecnológica
e estética.
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