DOI:
https://doi.org/10.14483/25009311.21966Published:
2024-01-02Issue:
Vol. 10 No. 16 (2024): Enero-Junio 2024Section:
ArtículosMagnetismo espectral en dos obras de la compañía chilena Teatrocinema
Spectral magnetism in two works by the Chilean company Teatrocinema
Magnetismo espectral em duas obras da companhia chilena Teatrocinema
Keywords:
Fantasmagoría, magnetismo espectral, teatro, Teatrocinema (es).Keywords:
Phantasmagoria, Spectral magnetism, Theater, Teatrocinema (en).Keywords:
Phantasmagoria, Magnetismo Espectral, Teatro, Teatrocinema (pt).Downloads
Abstract (es)
El presente artículo pretende adentrarse en el magnetismo espectral o la sensación enigmática de atracción que produce la utilización de imágenes en la escena teatral en compañía del cuerpo presente de los intérpretes. Para ello, este estudio comenzará con la revisión de algunas tecnologías de la imagen, lo que permitirá dar cuenta de que en diferentes épocas se han utilizado proyecciones en la escena teatral. Posteriormente, y con la finalidad de concretizar el magnetismo espectral propuesto, se considerarán dos obras de teatro de la compañía chilena Teatrocinema, Historia de amor (2013) y Plata quemada (2019), las cuales articulan en escena una serie de efectos visuales que posibilitan fragmentar, duplicar, hibridar cuerpos conformados por intérpretes e imágenes proyectadas.
Abstract (en)
The present research aims to explain the Spectral Magnetism or the enigmatic sensation of attraction produced by the use of images in the theatrical scene in the company of the present body of the performers. For this, this study will begin with the review of some image technologies, which will allow us to realize that in different times projections have been used in the theatrical scene.
Subsequently, and with the purpose of concretizing the proposed Spectral Magnetism, two plays by the Chilean company Teatrocinema will be considered, Historia de amor (2013) and Plata quemada (2019), which articulate on stage a series of visual effects that make it possible to fragment, duplicate, hybridize bodies conformed by performers and projected images.
Abstract (pt)
Este artigo tem como objetivo aprofundar o magnetismo espectral ou a enigmática sensação de atração produzida pelo uso de imagens na cen teatral em companhia do corpo presente dosperformers. Para tanto, este estudo iniciará com a revisão de algumas tecnologias de imagem, o que nos permitirá dar conta do fato de que as
projeções têm sido utilizadas na cena teatral em
diferentes momentos. Posteriormente, e para concretizar o Magnetismo Espectral proposto, serão consideradas duas peças da companhia chilena Teatrocinema, Historia de amor (2013) e Plata quemada (2019), que articulam em palco uma série de efeitos visuais que permitem fragmentar, duplicar, hibridizar corpos constituídos por performers e imagens projetadas.
References
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