DOI:
https://doi.org/10.14483/25009311.22539Published:
2024-12-16Issue:
Vol. 11 No. 18 (2025): Enero-junio 2025Section:
Sección CentralRamiro Isaza Mejía, maestro de la guitarra en Colombia. Recuerdo de su labor a veintiún años de su fallecimiento
Ramiro Isaza Mejía, master of the guitar in Colombia. Remembrance of his work twenty-one years after his death
Ramiro Isaza Mejía, mestre do violão na Colômbia. Lembrança de seu trabalho vinte e um anos após sua morte
Keywords:
Ramiro Isaza, guitarra en Colombia, Conservatorio Universidad Nacional de Colombia, Cuarteto Espiral (es).Keywords:
Ramiro Isaza, guitar in Colombia, Conservatory of Music, National University of Colombia, Cuarteto Espiral (en).Keywords:
Ramiro Isaza, guitarra na Colômbia, Conservatório da Universidade Nacional da Colômbia, Quarteto Espiral (pt).Downloads
Abstract (es)
Transcurridos ya veintiún años del fallecimiento del guitarrista y pedagogo Ramiro Isaza (Medellín, 31 de diciembre de 1947 - Bogotá, 13 de mayo de 2003), quien fuera un comprometido impulsor de la carrera de guitarra en la Universidad Nacional de Colombia, y fundador del primer cuarteto de guitarras, el Cuarteto Espiral, se pretende en el siguiente escrito estudiar aspectos de su recorrido y su labor, que abrieron una gran puerta al desarrollo de la guitarra clásica en Colombia.
Abstract (en)
Twenty-one years have passed since the death of the guitarist and pedagogue Ramiro Isaza (Medellín December 31st, 1947-Bogotá, May 13th, 2003), who was a committed promoter of the guitar career at the National University of Colombia (Universidad Nacional de Colombia) and founder of the first guitar quartet, the Cuarteto Espiral. In the following writing, it is intended to study the aspects of his journey and his work that opened a great door to the development of the classical guitar in Colombia.
Abstract (pt)
Vinte e um anos após a morte do violonista e pedagogo Ramiro Isaza (Medellín, 31 de dezembro de
1947 - Bogotá, 13 de maio de 2003), que foi um
promotor comprometido da carreira de violão na
Universidade Nacional da Colômbia, e fundador do
primeiro quarteto de violões, o Quarteto Espiral,
pretende-se no artigo a seguir estudar aspectos de
sua carreira e de sua obra, que abriu uma grande
porta para o desenvolvimento do violão clássico
na Colômbia.
References
Alfaro, A. (1986). Entrevista con Ramiro Isaza Mejía. Creador del cuarteto Espiral. El Tiempo, domingo 27 de julio de 1986. (Archivo Rosa de Isaza).
Bermúdez, E. (1985). Notas al programa de mano Concierto Cuarteto Espiral, octubre 23 de 1985. Sala de Conciertos Biblioteca Luis Ángel Arango, Banco de la República.
Friedman, S. (2004). “Hitos, mitos y realidades” en Arte en los noventa, Revista de la Facultad de Artes Universidad Nacional de Colombia.
Giraldo Jaramillo, R. D. (1996). Prólogo a Cosmos, soledad, silencio, de Ramiro Isaza Mejía. Ed. Varbet.
Gómez, I. (2003). Programas. Emisora H.J.C.K. El Mundo en Bogotá, 89.9 F.M. Estéreo. Junio de 2003. No. 1.511, Volumen LXXXI.
González, A. M. (1987). “En el arte se reivindica el hombre”. Entrevista con Ramiro Isaza, El Espectador, 29 de enero de 1987. (Archivo de Rosa de Isaza).
Isaza, R. (2004). “La guitarra en la década de los noventa” en Arte en los noventa. Revista de la Facultad de Artes, Universidad Nacional de Colombia.
Isaza, R. (2004a). Notas Programa de Mano. Encuentro Nacional de Guitarra Compensar. 2000.
Isaza, R. (2001). La Suite del tiempo. Palimsestvs. Revista de la Facultad de Ciencias Humanas. Universidad Nacional de Colombia.
Isaza, R. (1996). Cosmos-Soledad-Silencio. Poemas. Ed. Varbet.
Marín, O. (1989). Entrevista con Ramiro Isaza. Variaciones en Re Mayor. La Prensa, lunes 13 de febrero de 1989. (Archivo Rosa de Isaza).
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