CALLE14: revista de investigación en el campo del arte

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2021-06-04

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2019-01-27

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Vol. 21 No. 39 (2026): enero-junio 2026

Published: 2026-01-02

Calle14: a commitment to diversity

Pedro Pablo Gómez Moreno

https://doi.org/10.14483/21450706.24782

9-12
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The migration of prints and the vestiges of a transatlantic modernism in anarchist periodicity, Argentina-Belgium at the beginning of the twentieth century

Paúl Marcelo Velásquez Sabogal

https://doi.org/10.14483/21450706.22771

13-28
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Communicating art history and conservation-restoration in the digital era: reflections and case studies between Mexico and Spain

Laura Luque Rodrigo, Adris Díaz Fernández, Carmen Moral Ruiz

https://doi.org/10.14483/21450706.22772

29-38
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The games of improvisation and artistic education

Mario Marino Madroñero Morillo, Antonio Cepeda Andrade

https://doi.org/10.14483/21450706.22646

39-50
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Aesthesis of Liberation: Pedagogical (Confabulations) Without Judgment

Facundo Giuliano

https://doi.org/10.14483/21450706.22886

51-64
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The Awakening of the Senses: Other Didactics in Musical Pedagogical Practice

Ricardo Adrián Trujillo

https://doi.org/10.14483/21450706.22785

65-77
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Miscellany of Murals in the Contemporary Andean City: An Inquiry from Artistic Studies

David Alonso Baron Lopez

https://doi.org/10.14483/21450706.23273

79-94
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On Guard Against the End of the World: Reinvention in the Visual Arts of Post-Pandemic Guayaquil

María Mercedes Zerega, Zaylin Brito, Héctor Bujanda, Jeffrey Ismael Véliz Godoy

https://doi.org/10.14483/21450706.23459

95-107
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Disalienating, Decapitalizing, and Decolonizing Life: Francis Alÿs’s Archive of Games

Larisa Itzel Escobedo Contreras

https://doi.org/10.14483/21450706.23296

109-110
- PDF (Español)
Drawing and Time

José Luis Vera Jiménez

https://doi.org/10.14483/21450706.23658

121-130
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Commentary on The Crime of the Century, by Miguel Torres

Jhon Erick Cabra Hernández

https://doi.org/10.14483/21450706.23681

131-150
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Expanding the Body: Theories of Dance and Decolonial Aesthetic Option

Juan Ignacio Vallejos

https://doi.org/10.14483/21450706.23974

151-163
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From Religious Tradition to Heretical Deconstruction: An Exploration of the Faces of the Ghost

Juan David Martínez Zuluaga

https://doi.org/10.14483/21450706.23902

165-182
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For all that unites us/ For all that separates us

Isabel Cristina Diaz moreno

https://doi.org/10.14483/21450706.23263

183-198
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33%

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145

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Editor & editorial board: profiles
Academic society: Universidad Distrital Francisco José de Caldas
Publisher: Universidad Distrital Francisco José de Caldas

CALLE14: revista de investigación en el campo del arte

Announcements

Convocatoria Permanente

Previous isuues

Current Issue

Calle14: a commitment to diversity

The migration of prints and the vestiges of a transatlantic modernism in anarchist periodicity, Argentina-Belgium at the beginning of the twentieth century

Communicating art history and conservation-restoration in the digital era: reflections and case studies between Mexico and Spain

The games of improvisation and artistic education

Aesthesis of Liberation: Pedagogical (Confabulations) Without Judgment

The Awakening of the Senses: Other Didactics in Musical Pedagogical Practice

Miscellany of Murals in the Contemporary Andean City: An Inquiry from Artistic Studies

On Guard Against the End of the World: Reinvention in the Visual Arts of Post-Pandemic Guayaquil

Disalienating, Decapitalizing, and Decolonizing Life: Francis Alÿs’s Archive of Games

Drawing and Time

Commentary on The Crime of the Century, by Miguel Torres

Expanding the Body: Theories of Dance and Decolonial Aesthetic Option

From Religious Tradition to Heretical Deconstruction: An Exploration of the Faces of the Ghost

For all that unites us/ For all that separates us

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Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

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Francisco José de Caldas
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Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

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