Vol. 16 No. 29 (2021): Enero-Junio 2021 | CALLE14: revista de investigación en el campo del arte

View Vol. 16 No. 29 (2021): Enero-Junio 2021

Published: 2021-01-22

Colonial and colonizing condition of the arts in the colonial heterarchy of power

Pedro Pablo Gómez

https://doi.org/10.14483/21450706.17465

10-13

Autoethnography as Inflection and Performance for the Production of Liminal, Rebellious and Nomadic Knowledge

Yecid Calderón Rodelo

https://doi.org/10.14483/21450706.17399

16-37
Móvil I by Harold Grammatges

Rafael Guzman Barrios

https://doi.org/10.14483/21450706.17400

38-53
Mechanical Artists: A Look at The Aesthetic Capability of Machines and Algorithms from Pop Music and Pop Art

Leonardo Arriagada

https://doi.org/10.14483/21450706.17401

54-66
You Are Worthy for What You Are. The Mirage of a Change in the Relationship of Children/Young People With their Inmate Mothers

Adris Díaz Fernández, Anahí Elizabeth Peña Alba Peña Alba, Andrea Amanda Martínez Pérez , Ana Lucía Guerra Martínez

https://doi.org/10.14483/21450706.17402

68-77
Recontextualizations in the Pre-stage Coexistence: A Modality for Teaching the Notion of Conflict to Actors with Mental Health Conditions

Ana Atorresi , Gabriela Otero

https://doi.org/10.14483/21450706.17403

78- 92
Female Portrait: Metaphor of the Map for the Representation of Life in Mexico

Gabriela Arhelí García-Guerra

https://doi.org/10.14483/21450706.17404

94-103
Art, Phenomenology and the Female Body

Flor Emilce Cely Á.

https://doi.org/10.14483/21450706.17406

94-103
The music that uncovers silence. Decolonial pedagogies for the music education of deaf people

Liliana Elizabeth Otero Caicedo

https://doi.org/10.14483/21450706.17407

118-127
Against the War and Peronism. The Images of Ricardo Warecki in the Journal Crónica of Rosario

Elisabet Veliscek

https://doi.org/10.14483/21450706.17408
Sensitivity Devices. For a Technology of Aesthetic Experience

Inés Pérez-Wilke

https://doi.org/10.14483/21450706.17409

178-190
The Formal Elements of the Mandala: Their Plastic Expressions in the Education of Fine Arts Following C. G. Jung.

Belén León-Río

https://doi.org/10.14483/21450706.17439

162-177
(De)sexualization of the Female Body in Rocío Boliver’s Performances: A Look From Critical Cynicism

Paula Klein Jara

https://doi.org/10.14483/21450706.17441

178-190

Colonial and colonizing condition of the arts in the colonial heterarchy of power

Autoethnography as Inflection and Performance for the Production of Liminal, Rebellious and Nomadic Knowledge

Móvil I by Harold Grammatges

Mechanical Artists: A Look at The Aesthetic Capability of Machines and Algorithms from Pop Music and Pop Art

You Are Worthy for What You Are. The Mirage of a Change in the Relationship of Children/Young People With their Inmate Mothers

Recontextualizations in the Pre-stage Coexistence: A Modality for Teaching the Notion of Conflict to Actors with Mental Health Conditions

Female Portrait: Metaphor of the Map for the Representation of Life in Mexico

Art, Phenomenology and the Female Body

The music that uncovers silence. Decolonial pedagogies for the music education of deaf people

Against the War and Peronism. The Images of Ricardo Warecki in the Journal Crónica of Rosario

Sensitivity Devices. For a Technology of Aesthetic Experience

The Formal Elements of the Mandala: Their Plastic Expressions in the Education of Fine Arts Following C. G. Jung.

(De)sexualization of the Female Body in Rocío Boliver’s Performances: A Look From Critical Cynicism

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Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

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permanente

autores

Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

SÍGUENOS EN:

INDEXACIONES

INFORMACIÓN

Current Issue

Language

Keywords

Normatividad académica