Vol. 17 No. 31 (2022): Enero-Junio 2022 | CALLE14: revista de investigación en el campo del arte

View Vol. 17 No. 31 (2022): Enero-Junio 2022

Published: 2022-01-02

Cultural resistance through artistic practices in the public space: mapping arts in the Veinte de Julio neighborhood of Bogotá

Liliana Cortés Garzón

https://doi.org/10.14483/21450706.18688

16-35
The latent desire of the spam-image

Geraldiny Guerrero Muñoz

https://doi.org/10.14483/21450706.18689

36-49
Modes of social construction of meaning in a choir: Expressive timing between choir singers and director

Manuel Alejandro Ordás

https://doi.org/10.14483/21450706.18690

50-65
Art and anarchism: approaches to the artistic space at the turn of the 20th century

Paúl Marcelo Velásquez Sabogal

https://doi.org/10.14483/21450706.18691
Amor romántico en películas Disney

Vicente Monleón Oliva

https://doi.org/10.14483/21450706.18692

80-96
“Give it all”: Sacrifice, profession and motherhood in dancers of tango and contemporary dance in Buenos Aires

Juliana Verdenelli

https://doi.org/10.14483/21450706.18701

98-112
“Building the contemporary”. Notes on the creation of an image of contemporaneity in arteBA

Jonathan Feldman

https://doi.org/10.14483/21450706.18703

114-131
Pornography, abjection and representation: Story of O and Sex Pictures

Johanna Fernanda Rodríguez- Ahumada

https://doi.org/10.14483/21450706.18694

132-147
Iconographic and iconological analysis of two publicity photographs of Mapuche children made by the Capuchins in Araucanía

Ángel Gutiérrez Jeria , Magaly Ruiz-Mella

https://doi.org/10.14483/21450706.18696

148-158
Encuerpamiento. A proposal for a posthuman approach to the relationships between body and image

Nadia Martin

https://doi.org/10.14483/21450706.18697

160-176
Louise Bourgeois: metaphysics and the art of intimacy

Paulo Alexandre e Castro

https://doi.org/10.14483/21450706.18704

178-192
“Las tres Américas” una reflexión sobre el proyecto de creación gráfica colectiva en el ámbito universitario internacional (Canadá, México y Colombia)

Ferney Shambo

https://doi.org/10.14483/21450706.18699

194- 207

Cultural resistance through artistic practices in the public space: mapping arts in the Veinte de Julio neighborhood of Bogotá

The latent desire of the spam-image

Modes of social construction of meaning in a choir: Expressive timing between choir singers and director

Art and anarchism: approaches to the artistic space at the turn of the 20th century

Amor romántico en películas Disney

“Give it all”: Sacrifice, profession and motherhood in dancers of tango and contemporary dance in Buenos Aires

“Building the contemporary”. Notes on the creation of an image of contemporaneity in arteBA

Pornography, abjection and representation: Story of O and Sex Pictures

Iconographic and iconological analysis of two publicity photographs of Mapuche children made by the Capuchins in Araucanía

Encuerpamiento. A proposal for a posthuman approach to the relationships between body and image

Louise Bourgeois: metaphysics and the art of intimacy

“Las tres Américas” una reflexión sobre el proyecto de creación gráfica colectiva en el ámbito universitario internacional (Canadá, México y Colombia)

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Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

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InformaciónUniversidad Distrital
Francisco José de Caldas
NIT. 899.999.230.7

Redes sociales

Normatividad general

Normatividad académica

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Sección Central

permanente

autores

Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

SÍGUENOS EN:

INDEXACIONES

INFORMACIÓN

Current Issue

Language

Keywords

Normatividad académica