DOI:
https://doi.org/10.14483/25009311.22489Published:
2024-07-28Issue:
Vol. 10 No. 17 (2024): Julio-diciembre 2024Section:
Otras textualidadesEl compositor Silvio Bravo: para cantarle la tabla a la vida
The composer Silvio Bravo: to sing above board to life
O compositor Silvio Bravo: cantar a mesa para a vida
Keywords:
Silvio Bravo, musique paysanne, compositeurs colombiens, oralité, Las Mesas Nariño (en).Keywords:
Silvio Bravo, música campesina, compositores colombianos, oralidad, Las Mesas Nariño (es).Keywords:
Silvio Bravo, música camponesa, compositores colombianos, oralidade, Las Mesas Nariño (pt).Downloads
Abstract (es)
Este artículo tiene como propósito visibilizar el legado musical del compositor nariñense, de música campesina, Silvio Bravo Muñoz. La escritura está basada en la memoria personal y las vivencias compartidas con el compositor durante varias décadas. Al hacerlo de esta forma, se abre un espacio para una escritura afectiva que reconoce el valor estético, histórico y cultural del legado musical de Silvio Bravo. Al mismo tiempo, se intenta dibujar los contextos en los que surgen algunas de sus canciones. El compartir las letras de algunas de esas canciones, se entiende como una invitación a los músicos jóvenes de la región para mantenerlas en sus repertorios. Esto como una forma comprometida de construir un tejido de memoria viva, cultura y significado de prácticas culturales basadas en la oralidad
Abstract (en)
This article proposes visualizing the musical legacy of the Nariño folk music composer Silvio Bravo. In this text, we can find the personal memories and experiences shared with the composer during some decades. It opens a space to affectionate writing that recognizes the aesthetic, historical, and cultural value of the musical legacy of Silvio Bravo. There is an attempt to draw the context in which some of his songs came up. Here we share some of Silvio's lyrics in the hope for young musicians in the region to include Silvio's songs in their repertoires. This is a transformative way of creating a network of living culture, meaning, and memory of cultural practices based on oral tradition
Abstract (pt)
O objetivo deste artigo é tornar visível o legado musical do compositor de Nariño, de música camponesa, Silvio Bravo Muñoz. A escrita é baseada na memória pessoal e nas experiências compartilhadas com o compositor ao longo de várias décadas. Ao fazê-lo dessa forma, abre-se um espaço para uma escrita
References
Alcaldía el Tablón de Gómez. (2021 de julio). Corona Virus Silvio B. [Video]. «https://www.facebook.com/watch/?v=2468753546762572»
Bravo, S. [Pedro Pablo Gómez]. (2024, 30 de mayo). El atraco del bus. Autor Silvio Bravo. [Video] Youtube. «https://www.youtube.com/watch?v=J3Ui78OBCmg»
Bravo, S. [elnabetse ozare]. (2013, 13 de agosto). El borrachito Silvio Bravo. [Video] Youtube. «https://www.youtube.com/watch?v=dx1BBmrnOGQ»
Bravo, S. [Jhon Bairo Hernández]. (2008, 7 de junio). Silvio Bravo Alcalde [Video]. Youtube. «https://www.youtube.com/watch?v=XKVuB4sPWiI»
Díaz Ordóñez, E. R., & Rodríguez Gallego, J. L. Seguridad ciudadana y conflicto armado: el caso de las MesasMunicipio de El Tablón de Gómez (Nariño). «https:// bibliotecadigital.univalle.edu.co/server/api/core/ bitstreams/9ef13d9d-44c7-4061-a2ab-f6fab6d4e5cd/content»
González Pérez, M. (2019). La Fiesta en Colombia. Albores del siglo XXI. Estudios Artísticos, 5(6), 60–71. https://doi. org/10.14483/25009311.14103
Mendivelso, L. T., & Bastidas, J. M. (2015). El sonsureño y la identidad musical nariñense. El artista: revista de investigaciones en música y artes plásticas, (12), 115-138.
Ordóñez Cortez, M. A., & Pérez Morillo, C. D. R. (2016). Autoridad y Control Territorial en el Corregimiento de las Mesas, Municipio de Tablón de Gómez 1998 a 2003. [Trabajo de grado]. « https://sired.udenar.edu.co/7791/»
Rodríguez, M. (2018/15/09). En bicicleta llegó para el concurso de música en Valmaria el compositor Silvio Bravo. [Fotografía]. «https://www.facebook.com/ photo/?fbid=524787807966329&set=a.194814144297032»
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