Vol. 3 No. 3 (2016): Enero-Diciembre de 2016 | Corpo Grafías Estudios críticos de y desde los cuerpos

View Vol. 3 No. 3 (2016): Enero-Diciembre de 2016

DOI: https://doi.org/10.14483/cp.v3i3

Published: 2016-01-02

Editorial by Emmanuelle Garnier, Monique Martinez-Thomas, Agnès Surbezy

Emmanuelle Garnier, Monique Martinez, Agnès Surbezy

https://doi.org/10.14483/25909398.13139

7-9
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Introduction by Emmanuelle C Garnier, Monique A Martinez-Thomas, Agnès C Surbezy

Emmanuelle Garnier, Monique Martinez, Agnès Surbezy

https://doi.org/10.14483/25909398.13140

10-13
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Dissident-body, defending-body The tattoo, a "skin for resistance”

Emma Viguier

https://doi.org/10.14483/cp.v3i3.12403

14-29
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Humamity in time of war in the contemporary scene of the puppets: “soul” of the descouraged

Hélène Beauchamp

https://doi.org/10.14483/cp.v3i3.12402

30-47
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Love corporations in violent times: considerations around the writings of Sarah Kane

Giovanni Covelli Meek

https://doi.org/10.14483/cp.v3i3.12399

48-65
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Missed Body

Hernando Eljaiek

https://doi.org/10.14483/cp.v3i3.12401

66-75
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Conversación con mi sombra: performance as an autopoietic methodology

Emmanuelle Garnier

https://doi.org/10.14483/cp.v3i3.12400

76-89
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Contemporary bodies under the veil

Anne Pellus

https://doi.org/10.14483/cp.v3i3.12404

90-105
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Nijinsky, The gone of love and the consumers of meat

Collective Àjáso

https://doi.org/10.14483/25909398.13173

106-141
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A tale of endorphins

Marion Guyez

https://doi.org/10.14483/cp.v3i3.12405

142-149
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I am the woman i like to be: how the performance contributes to the configuration of myself as a woman

Martha Judith Noguera

https://doi.org/10.14483/cp.v3i3.12406

150-161
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Analysis of body in tzotzil migrant children of New Zinacantan

Xitlally Guadalupe Flecha Macías

https://doi.org/10.14483/cp.v3i3.12408

162-183
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Fear and desfiguration in literature, theater, and film: when fiction vaples the face

Muriel Plana

https://doi.org/10.14483/cp.v3i3.12409

184-207
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Dancer body and queer theories in the choreographic contemporary stage: a political approach to the body in tattoo de frédéric jollivet and sara martinet

Gilles Jacinto

https://doi.org/10.14483/cp.v3i3.12410

208-223
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Corporrelato: an experience of research and creation

Raimundo Villalba Labrador

https://doi.org/10.14483/25909398.13181

224-237
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Poems

Jasmina Jovanic

https://doi.org/10.14483/25909398.13182

238-243
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