Vol. 20 No. 36 (2025): Enero-junio 2025 | CALLE14: revista de investigación en el campo del arte

View Vol. 20 No. 36 (2025): Enero-junio 2025

Published: 2025-01-01

Decolonize the research-creation

Pedro Pablo Gómez Moreno

https://doi.org/10.14483/21450706.22590

10-12
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Autochthonous Dances of the Colombian Coffee Axis: Identity, Research-Creation, and Intergenerational Connec

Andrés Mauricio Hernández Carvajal, Jorge Eduardo Urrea-Giraldo

https://doi.org/10.14483/21450706.21167

13-34
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Historical Revisionism and Economic Impact on Forgeries. An initial proposal.

Adrià Harillo Pla

https://doi.org/10.14483/21450706.21414

35-46
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Provincial artists, strange objects, times of emancipation

Adryan Fabrizio Pineda Repizo

https://doi.org/10.14483/21450706.21017

47-59
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The five geometric solids and their symbolic expression in art.

Belén León-Río

https://doi.org/10.14483/21450706.21837

60-76
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One bed. A thousand and one lives. A sensitive reflection materialized in performance on the sexual work of transgender women in the Barbacoas sector, Medellín

Wilson Stiven Bohórquez Barrera

https://doi.org/10.14483/21450706.22014

77-90
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The fanzine: a proposal of critical expression from art

Álvaro Acevedo Tarazona, Andrés David Correa Lugos

https://doi.org/10.14483/21450706.21679

91-106
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Analítica de la musealización del conflicto armado en Colombia

Sonia Vargas Martínez

https://doi.org/10.14483/21450706.22022

107-124
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Family albums beyond themselves. An exploration into its aesthetics, banality and social nature.

Wilson Stiven Bohórquez Barrera, Bernardo Galeano Bolívar, Juan Guillermo Bermúdez Tobón

https://doi.org/10.14483/21450706.21957

125-143
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Practices of Failure: Towards an Educational Practice of Enjoyment and Compassion

Juan Fernando Cáceres Jaramillo

https://doi.org/10.14483/21450706.21859

145-157
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Medial archeology as a “screen of liberation” in the Lavapatas Fountain

Diego Andrés Aguilar Gómez

https://doi.org/10.14483/21450706.22036

159-173
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The Voice in Bullerengue: A Song of Freedom, ‘Instant Creation’ Cançao da liberdade

Claudia Gómez Suárez

https://doi.org/10.14483/21450706.21863

174-192
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From Ontic to Immanent: An Epistemological Approach to Learning and Teaching Instrumental Music Performance Based on Ontological Criteria

Paula Marcela Castaño Castaño

https://doi.org/10.14483/21450706.22086

193-202
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Unique practices in theater education

Arley Fabio Ossa Montoya, José Joaquín García García, Nubia Jeannette Parada Moreno

https://doi.org/10.14483/21450706.20932

203-221
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The Bodies of Stage Dance: The Duality Between the "Sentient-Body" and the "Aseptic- Body" as a Tool of Analysis

Iker Gómez de la Hoz

https://doi.org/10.14483/21450706.21752

223-237
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Dancing and artistic projects of the 20th-21st centuries (problems of intercultural dialog)

Tatiana Portnova

https://doi.org/10.14483/21450706.22171

239-248
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The problem of artistic representation and the genocide of the Palestinian people.

Orlando Morillo Santacruz

https://doi.org/10.14483/21450706.21932

249-263
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Writings on cultural policies, Calabre, Lia. Rio de Janeiro – Fundação Rui Barbosa, 2029

Marta Bustos

https://doi.org/10.14483/21450706.22628

265-267
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